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HavingwitnessedhisjunkiefatherkilledRussellStevensgrowsuptobecomeapolicemanandmakeadifference.WhenheisofferedanundercoverjobbyGeraldCarverheacceptsandbeginstobuildarelationshipwithDavidJasoninordertogettothemaindealers.Howeverasheisforcedtodealdrugsandkilltokeephiscoverhefindsthelinesbetweencopandcriminalbeinglost–isheacoppretendingtobeadealeroradealerpretendingtobeacopaaa  Larry(ashewasthen)Fishburne'sfirstleadrolewasatypicallydarkvehicle.Thestoryistheusualoneofcoplosinghimselfwhenundercover,howeveritmanagestobemorethanthatformostofthetime.Co-writtenbyTolkin,whowroteThePlayer,thisnaturallyhasanicecynicaledgetoitwhenitlooksattheUS'shypocriticalapproachtodrugcontrolandthepoliticallinksbetweenthestreethustlersandthepoliticalhighrollerswhocourtrespectability.Thestorydoeseventuallysettleintoatraditionalsettingbuteventhenitworkswellasathriller.  Themulti-talentedBillDukedirectswellwithagrittyfeelandafewnicetouches.Howeverseveralthingsareabitiffy.FormostofthefilmFishburne'snarration/voiceoverisabitlikeacrossbetweenApocalypseNowandBladeRunner–itcomesacrossasalittletoodarkandheavyandalsoexplainsthingslikewecan'tfigureitoutourselves.Howeveronceyougetintothefilmit'snotasbigadeal.Mymainproblemlieswiththecharacters.  Fishburneisexcellent,arealmodelofunderlyingangerandviolence,GoldblumisgoodbutperhapsalittleOTTontheyuppie/violencething,butthere'sgoodsupportfromSmithandSpinCity'sbeautiful(andoftenunderused–butnothere)VictoriaDillard.Howeverthetwomainwhitecharacters(GoldblumandSmith)arebothsmearedwithracistinsinuations–Smithappearstoinsulthisblackofficersanddoesn'tcareaboutthejunkies,whileGoldblumisfascinatedaboutallthingsblackandtalksaboutthemaswildbeautifulbeastsandloveshavingsexwith"black'.Thesethingsaren'tamajorproblem,butwithbasicallyonlytwowhitecharactersinit,it'salittleworryingthatbotharegiventhatedge.  Howevertheseareminorcomplaintsthatgetlostwithagoodthriller.FishburneexcelsandDukedeliversastorythatisagoodthrillerbutalsohasajaded,subversiveedge.